Episode Details

The SFFaudio Podcast #676 – Jesse, Scott Danielson, Will Emmons and Trish E. Matson talk about The Tempest by William Shakespeare

Talked about on today’s show:
not Willy Shakes, first performed on Hallowmass, 1611, a Royal Wedding, the day of the dead, November 1st, his last play?, spoken by Prospero, the conventional thing, ready to give up magic, now my charms are all o’erthrown, sent to Naples, with the help of your good hands, my ending is despair, never Shakespeare, a table reading, Broadway musicals, light comedies, Pride And Prejudice, a Southern Utah Shakespeare festival, a replica of The Globe, Julius Caesar, I’ve been bad but you should forgive me because you’ve been bad too, Prospero is a bad man, accomplished everything, made people acknowledge their faults, what got him into trouble in the first place, good but oblivious, an unreliable narrator, he’s a slaver, multiple slaves, penance for attempted rape, indentured servitude, Shakespeare by Mark Van Doren (1939), the wildest interpretation, it will not yield its secret easily, open to so many interpretations and restagings, five versions of The Tempest, Trish never got bored, The Tempest (2010) with Helen Mirren as Prospera, a stage production at Stratford, Ontario, Or What You Will by Jo Walton, As You Like It, a good reason to read a book, a late 9th century play that became very famous, a spark for every fire, let me not, bare island, your good hands, a Disney movie and a cartoon, audience participation, a device for engaging the audience, Tinkerbell will die unless you start clapping, Prospero is Shakespeare, Ariel is the stage director, a metaphor for being a writer, a BBC version from 1980, you will be free, he’s also talking to the audience, all in realtime, how many hours have passed, we have to get this all done by six, Ariel puts people to sleep to get to the next scene, every adaptation misses the comedy, the technical term “comedy”, the infodump scene at the beginning, they interpret the lines wrong or they cut them, how they got there, mostly Prospero talking, 12 years since thy father was the duke of Milan and a Prince of Power, thy mother was a piece of virtue, I don’t think my wife would have lied to me, do you mark me, sir your speech would relieve deafness, she keeps saying ya ya ya, getting bored, he’s asking the audience, she should be falling asleep, dost thou hear?, he keeps coming back are you paying attention, she retains none of it, its only for the audience, all the preceding twelve years, a different dynamic, dost thous pay attention, yeah I’m getting bored too, Shakespeare is attentive to infodumps being boring, bring your audience up to speed, Alonzo vs. Antonio, a master of craftsmanship, structure, high drama and low comedy, interleaving, assassination plots, a love story, Miranada and her father and Miranda and Ferdinand, costumes help, a tendency to focus on Ariel, Caliban is the greatest character (perhaps), stock characters, Caliban’s resentment, a rebellious slave, worshiping a false master, he’s Gollum, he had something taken from him, the culture, his gabardine, fart and drinking jokes, you want the meatiest role, Trunculo, stage presence, he’s reformed, a weakness in the play, is this play weak?, who is Caliban, he’s a native person, an Indian, bring him back and show him off at home, a native person we can display for money, Caliban is the character to obsess