Episode Details

The SFFaudio Podcast #700 – Jesse, Paul Weimer, Maissa Bessada, Evan Lampe, and Trish E. Matson talk about The Door Into Summer by Robert A. Heinlein.

Talked about on today’s show:
serialized in F&SF, October and December 1956, hardcover 1957, set in 1970s, set in 2000/2001, the cat and the door, isn’t the door supposed to dilate?, Heinlein In Dimension by Alexei Panshin, The Pleasant Profession Of Robert A. Heinlein by Farah Mendlesohn, lucky for Paul, Paul didn’t like it, just the cat parts?, time paradox, time loop, Trish hated it, a cardinal rule, #SIFTP, analysis, horrible indeed, recounting Trish’s shame, supposed to like the main character, Pete rules, Danny boy, pacing, not a struggle to finish, Evan should read all of Heinlein, Evan dug the stuff about domestic labour, a key feature of the conversation about feminism and technology, Philip K. Dick was a technophobe, Nanny, domestic labour devices, the robot’s trying to have sex with your wife, the washing machine, washing day, any liberation from work is good (especially drudgery), still sexism, 1950s America, Evan loved the cat stuff, a love-story about a man and his cat, Pete’s inner life, this little opener, the famous ones, researching, listeners appreciate, other podcasts on Heinlein, even people who hate Heinlein reference him all the time, Our Opinions Are Correct, By His Bootstraps, “All You Zombies”, similar plot, less romance, less something, all about the time loop, even tighter, a long short story, good, fun, and funny, similar structural stuff, a bullshit paper on time travel, loops ensue, Dictor, he a bad man, he also main character, did Heinlein invent time loops or merely perfect them?, finding Heinlein icky, bootstrap paradox, 19th century, outside of science fiction, economics, politics, such a pervasive misunderstanding, something obviously impossible to do, whadontchu do the impossible?, stupid people collecting phrases, the icky factor, engaged with vs. shit all over, squicky?, “grooming”, the stand in for Heinlein (Dan Davis), unfair, overstating, Heinlein still wrote it, he’s pushing her away, “Yes Ricky, that’s what I want”, over-reading, kids as sex objects, The Moon Is A Harsh Mistress, Hazel, The Rolling Stones, no talking about the show before the show starts, the stand-in for Heinlein is someone else, the nudist is Heinlein, the Japanese Netflix movie, not that bad if you can attune yourself to Japanese aesthetics, “a door you should not go through”, fine, it did the story, the femme fatale, reducing the ickyness, just pining, did what it had to do, it didn’t dwell on the fun stuff, haircuts, stock stuff, women’s labour is not in the movie at all, the world that Heinlein builds up, am I supposed to like the character?, he’s a drunk, he wants to make his tech repairable, right to repair, a bigger issue today than 30 years ago, you’re not supposed to open your own hood, Jesse’s ancient car, other personality qualities, being resentful, being oblivious (for the plot), kinda dumb in some areas, an idiot ball, trusting Miles and Belle, the passion to dive into your work, being his own boss, don’t let other people tell you how to do your job, selling stories, the same scene over and over and over again, “dicker”, sticker, ultimatum, instead of haggling, saying the unstated, the other guy always collapses, a weakness in Heinlein, his second plan,